Sur le Euil ou La Jatte de Lait
Sur le Euil ou La Jatte de Lait

Mère et Enfants

Charles Angrand
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reference number: EP_056

1908

oil on canvas

81 x 100 cm

signed and dated lower right: Charles Angrand ..908

Provenance

The family of the artist

Private collection

Anonymous sale Drouot Montaine, Paris, 13 December 1997, lot 20

Galerie Matignon, Paris

Private collection

Galerie Ofir Scheps, Geneva

Private collection

 

Exhibitions

Salon des Independents, 24e Exposition, Serres du Cours-la-Reine, Paris, 1908

Salon des Independents, 29e Exposition, Quaid’Orsay, Paris, 1913

Impressionismus, Kunstsammlungen Chemnitz, 4 December 2004 – 27 February 2005

 

Literature

J. Sutter, Les Neo-Impressionistes, 1970, p. 134

F. Lespinasse, L’Ecole de Rouen, 1980, p. 36 ill. 169

F. Lespinasse, Charles Angrand 1854-1926, Rouen, 1982, p. 68, ill. 120

Charles Angrand et François Lespinasse, Correspondances, 1883-1926, Rouen, 1988, p. 181

 

Angrand was a French Neo-Impressionist artist. He exhibited his work in Paris at Les Indépendants, Galerie Druet, Galérie Durand-Ruel, and Bernheim-Jeune, and also in Rouen. His work appeared in Brussels in an 1891 show with Les XX. In the early 1890s, he abandoned painting, instead creating conté drawings and pastels of subjects including rural scenes and depictions of mother and child, realized in dark Symbolist intensity.

 

He began painting again around 1906, emulating the styles and colours of Signac and Cross. Angrand developed his own unique methods of Divisionism, with larger brushstrokes. As this resulted in rougher optical blending than smaller dots, he compensated by using more intense colours.

 

Angrand’s works are in many museum collections around the world, including Ateneum (Finnish National Gallery), Cleveland Museum of Art, Hecht Museum, Indianapolis Museum of Art, Metropolitan Museum of Art, Musée d’Orsay, Museum of Fine Arts, Boston, and Ny Carlsberg Glyptotek.

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